Sans Superellipse Ikrim 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Boltire' by Bale Type (names referenced only for comparison).
Keywords: posters, headlines, logos, sports branding, packaging, impactful, industrial, sporty, poster-ready, confident, attention, bold branding, signage clarity, modern utility, blocky, rounded corners, compact, geometric, heavy terminals.
A dense, blocky display sans built from squared-off forms with consistently rounded corners. Strokes are uniformly heavy with minimal modulation, producing a solid, ink-trap-free silhouette and a tight internal counter structure. Round letters like O and Q read as rounded rectangles, while diagonals (V, W, X, Y) are broad and wedge-like, giving the design a strongly geometric rhythm. Numerals match the chunky construction, with generous weight and compact apertures that keep figures visually stable at large sizes.
This font is well suited to short, high-impact copy such as posters, big headlines, badges, and logo wordmarks. It can work effectively on packaging and merchandise where bold, compact letterforms help text hold up against busy backgrounds. For longer passages, it is likely most comfortable when set large with additional tracking to open the dense texture.
The overall tone is forceful and utilitarian, with a contemporary, workmanlike character. Its softened corners temper the aggression of the heavy mass, keeping it friendly enough for mainstream branding while still feeling bold and attention-grabbing. The texture suggests sports signage, packaging, and high-energy headlines.
The design appears aimed at delivering maximum visual punch through heavy, geometric construction and rounded-rectangle curves, balancing toughness with approachability. It prioritizes immediate recognition and strong silhouettes for display use, with consistent forms across letters and figures for cohesive branding.
Letter spacing appears intentionally tight in the sample text, creating a continuous, high-density word shape. Many joins and terminals are squared and flat, emphasizing a stamped or cut-out feel, while counters remain small and controlled—best suited to larger settings where shapes have room to breathe.