Serif Normal Vegiz 2 is a light, wide, high contrast, upright, tall x-height font.
Keywords: editorial, book text, magazines, headlines, invitations, refined, literary, classic, formal, readability, editorial voice, classic revival, premium tone, display refinement, hairline serifs, bracketed serifs, calligraphic, crisp, elegant.
A high-contrast serif with slender hairlines and robust vertical stems, producing a crisp, engraved color on the page. Serifs are fine and mostly bracketed, with sharp, tapered terminals that feel deliberately drawn rather than mechanical. The capitals are stately and open, while the lowercase shows a tall x-height with compact, well-contained bowls and pronounced stroke modulation; the two-storey “a” and “g” reinforce a traditional text-serifs structure. Numerals follow the same contrast pattern, with thin connecting strokes and rounded forms that read cleanly at display sizes.
Well suited to editorial typography such as magazines, book interiors, and long-form reading where a classic serif voice is desired. It also performs strongly for headlines, pull quotes, and title work where the sharp contrast and hairline serifs can provide sophistication. For print-forward branding, invitations, and formal announcements, its refined detailing can add a premium, traditional tone.
The overall tone is refined and literary, projecting a sense of tradition and editorial polish. Its contrast and delicate details add a touch of luxury and ceremony without becoming ornamental. In paragraphs it feels composed and classic, while in large sizes it takes on a more fashion-like, high-end voice.
The design appears intended as a conventional, readable serif that balances classic book-face cues with a more polished, high-contrast finish. Its proportions and tall x-height point to text use, while the fine serifs and crisp modulation aim to deliver elegance in larger settings.
The rhythm is steady and vertical, with narrow join points and thin cross strokes that heighten the sense of precision. The italic is not shown, but the roman’s tapered terminals and stress suggest a calligraphic influence rather than a purely geometric construction.