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Free for Commercial Use

Groovy Opma 8 is a very bold, very wide, medium contrast, reverse italic, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, album covers, groovy, playful, retro, funky, cartoonish, retro appeal, expressive display, playful branding, poster impact, rounded, blobby, bulbous, soft corners, wavy baseline.


Free for commercial use
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A heavy, rounded display face with blobby silhouettes and soft, swollen terminals. Strokes feel carved and slightly uneven, with subtle in-and-out modulation created by scooped counters and notched joins rather than sharp contrast. Forms lean with a leftward slant and show a lively, hand-cut rhythm: bowls and stems wobble gently, apertures vary, and spacing is intentionally irregular for a bouncy texture. Counters are compact and often squarish-rounded, keeping the overall color dense and punchy at headline sizes.

Best suited to large-scale display work where the chunky curves and groovy slant can be appreciated—posters, headlines, album or event graphics, playful packaging, and short logotypes. It works particularly well when used sparingly for emphasis, paired with a simpler text face for body copy.

The letterforms project a groovy, whimsical attitude with a distinctly retro flavor. Its chunky, elastic shapes read as friendly and humorous, evoking poster-era psychedelia and playful, toy-like branding rather than formal typography.

The design appears intended to deliver an instantly recognizable, era-referential display voice through exaggerated width, soft geometry, and irregular internal sculpting. Its purpose is expressiveness and mood—creating a bold, fun typographic texture that feels handmade and dynamic in short phrases.

Uppercase and lowercase share the same inflated, soft-edged construction, giving mixed-case settings a consistent, blocky presence. Numerals match the chunky proportions and maintain the same scooped details, helping them blend smoothly into display compositions. At smaller sizes the tight counters and dense weight can reduce clarity, while larger sizes emphasize the lively internal cut-ins and wavy contours.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸