Sans Faceted Abdil 6 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Charles Wright' by K-Type and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, logotypes, team branding, packaging, industrial, sporty, arcade, futuristic, tactical, impact, geometry, signage, branding, ruggedness, octagonal, chamfered, angular, blocky, geometric.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with crisp chamfers and faceted joins. Bowls and rounds resolve into octagonal silhouettes (notably in O, Q, 0, and 8), while terminals are square and decisive, producing a compact, sturdy texture. Proportions are tall in the lowercase with broad, even stems and minimal modulation, keeping counters open and shapes highly uniform. The rhythm is rigid and mechanical, with consistent corner treatments and a deliberate, engineered feel across letters and numerals.
Best suited to short-form display settings where angular geometry and strong silhouettes can carry the message—headlines, posters, branding marks, product packaging, and sports or event graphics. It also works well for labels and titles in tech-leaning interfaces or game-themed visuals, where the faceted forms reinforce a mechanical, high-impact aesthetic.
The overall tone is tough and utilitarian, with a sporty, arcade-like edge that reads as modern and technical. Its sharp facets and blocky silhouettes evoke signage, equipment markings, and competitive team graphics, projecting confidence and impact. The voice is assertive rather than friendly, prioritizing punch and structure over softness.
The design appears intended to translate the feel of machined, faceted forms into a readable sans, emphasizing consistent chamfers, rigid geometry, and high visual impact. It aims to deliver a compact, tough texture that stays coherent across cases and numerals while preserving clarity through open counters and disciplined construction.
The digit set is especially strong and emblematic, with a distinctive 0 featuring an internal slash-like cut and an 8 formed from stacked faceted counters. Uppercase construction feels monument-like and stenciled in spirit (without literal stencil breaks), while lowercase maintains the same angular logic for a cohesive system. The punctuation shown (colon, apostrophe) follows the same squared, minimal approach, supporting the font’s strict geometric language.