Sans Faceted Ompi 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming, ui, futuristic, techno, angular, industrial, sci-fi, sci-fi styling, tech branding, display impact, geometric system, faceted, geometric, chiseled, sharp, stencil-like.
This typeface is built from straight, faceted strokes that replace curves with crisp planar angles, giving bowls and rounds an octagonal, cut-metal feel. Strokes are consistently even in thickness, with frequent pointed terminals and diagonal joins that create a notched, zigzag rhythm in letters like S, C, and G. Counters tend to be polygonal and slightly condensed, while the overall construction favors tall verticals and sharp apexes; diagonals are prominent and help define forms such as A, K, M, N, V, W, and Y. Spacing appears moderately open in text, with distinct silhouettes that remain recognizable despite the reduced curvature.
Best suited to display settings such as headlines, posters, title cards, logos, and game/tech interface graphics where its faceted geometry can be a focal point. It can work for short passages at larger sizes, but the dense angular texture is likely most effective for emphasis, branding, and high-contrast layouts rather than long-form reading.
The overall tone feels engineered and futuristic—more like lettering cut from panels than written with a pen. Its sharp geometry suggests tech interfaces, game UI, and science-fiction worldbuilding, while the faceted construction adds a hint of retro arcade and industrial signage.
The design appears intended to translate a geometric, planar aesthetic into a full alphanumeric set, prioritizing sharp construction and consistent stroke behavior for a cohesive, tech-forward voice. It emphasizes distinctive silhouettes and polygonal counters to evoke a manufactured, futuristic feel.
In the sample text, the angular modulation creates a lively texture, especially where many diagonals meet (e.g., in words with repeated V/W/M/N). Numerals and capitals follow the same polygonal logic, helping maintain a cohesive, emblematic look for headings and short lines.