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Free for Commercial Use

Sans Superellipse Pomiv 1 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Jonathan Andrea' by Ergibi Studio, 'Film P3' by Fontsphere, 'Stallman Round' by Par Défaut, 'Leftheria' by Sea Types, and 'This Appeal' by VP Creative Shop (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, condensed, industrial, retro, poster-ready, assertive, space-saving impact, display identity, signage clarity, retro modernity, square-rounded, vertical, compact, high-contrast (shape), stencil-like (feel).


Free for commercial use
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A compact, vertically oriented sans with a tightly condensed footprint and consistent stroke weight. Curves are built from rounded-rectangle geometry, producing squarish bowls and softly radiused corners rather than circular forms. Counters are narrow and tall, and terminals tend to be blunt or gently rounded, with minimal modulation. The overall rhythm is rigid and columnar, giving words a dense, uniform texture while still keeping letterforms distinct.

Best suited for headlines, posters, and signage where a strong condensed presence is needed without resorting to extreme stylization. It also works well for logos and packaging that benefit from a tight, vertical wordmark and a structured, industrial texture.

The tone is bold and utilitarian, with a vintage display flavor reminiscent of signage and compressed headline lettering. Its squared rounding and narrow apertures create a confident, slightly mechanical voice that reads as modern-retro rather than friendly or casual.

The design appears intended to maximize impact and economy of space, delivering a tall, compressed voice with rounded-rectilinear construction for a distinctive display identity. It prioritizes consistent weight and a strong vertical silhouette to keep lines of text compact and visually forceful.

The narrow internal spaces mean readability drops quickly at small sizes, but the design gains impact as size increases. Uppercase forms feel especially architectural, while lowercase maintains the same condensed, upright discipline, keeping mixed-case settings cohesive and punchy.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸