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Outline Nyla 1 is a light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, packaging, logos, art deco, elegant, retro, refined, theatrical, decoration, vintage mood, signage look, display impact, refinement, monoline, inline, geometric, rounded, open counters.


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A monoline outline face with a distinctive inline construction: each letter is drawn with paired contour lines that create a hollow, double-stroked look. The forms are largely geometric with softly rounded corners and smooth curves, giving the alphabet an even, polished rhythm. Uppercase proportions feel tall and airy with generous counters, while the lowercase stays clean and legible with simple terminals and minimal embellishment. Numerals echo the same double-line treatment, producing a consistent, lightweight presence across letters and figures.

Best suited for display settings such as headlines, posters, event graphics, and storefront-style signage where the outlined, inline detail can be appreciated. It also works well for packaging, labels, and logo wordmarks aiming for a vintage-luxe or Art Deco-inspired personality. For long body text, the fine contour structure may feel too delicate and attention-grabbing compared with a solid text face.

The overall tone reads as classic and decorative—evoking vintage signage and Art Deco-era display typography. Its airy outlines and refined geometry feel stylish and slightly theatrical, more about atmosphere than neutrality. The font projects a boutique, lounge-like sophistication that fits retro-forward design.

The design appears intended to deliver a decorative outline alternative to a clean geometric sans, adding sparkle and dimensionality without using shading or heavy contrast. Its consistent double-line construction suggests a focus on stylish, era-evocative display typography that remains orderly and readable.

Because the design relies on fine outlines and interior spacing between parallel strokes, it visually benefits from larger sizes and sufficient contrast with the background. Round letters and curved joins (such as C, G, O, S, and the bowls of B/P/R) showcase the smoothest, most characteristic moments of the style, while straight-sided letters maintain a crisp, architectural feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸