Inline Ebwi 8 is a regular weight, wide, medium contrast, reverse italic, tall x-height font.
Keywords: headlines, posters, branding, logotypes, gaming ui, futuristic, tech, digital, industrial, sci‑fi, sci‑fi styling, tech signaling, display impact, interface labeling, retro‑futurism, rounded corners, geometric, monoline, inline detail, squared forms.
A geometric, wide sans with squared, softly rounded corners and a consistent monoline structure. Strokes are drawn as hollowed shapes with a crisp inline channel that runs through the letterforms, creating a double-stroked, outlined effect without becoming delicate. The overall slant reads as a backward-leaning italic, and proportions favor a tall x-height with compact ascenders and descenders. Curves are largely rectilinear with chamfered/rounded transitions, and counters are boxy and open, producing a clean, modular rhythm across capitals, lowercase, and numerals.
Best suited to display typography such as headlines, posters, brand marks, and packaging where the inline channel can be appreciated. It also fits interface-style applications—gaming UI, tech product graphics, and motion titles—where a futuristic, schematic look is desirable.
The inline cut and squared geometry convey a futuristic, engineered tone—evoking UI overlays, circuit-like labeling, and sci‑fi interfaces. It feels precise and synthetic rather than humanist, with a crisp, technological personality that reads as modern and slightly retro-digital at the same time.
The design appears intended to deliver a bold, techno display presence by combining wide, squared letterforms with an inline carved-through detail and a reverse-italic stance. The goal is recognizability and stylistic impact over neutral text setting, while maintaining consistent geometry and legibility through large counters and a tall lowercase structure.
The inline detail adds visual texture at display sizes, while the open, boxy counters keep letters from clogging despite the hollow construction. Numerals and uppercase forms appear especially strong for headings, and the backward slant introduces motion and a distinctive voice even in short words.