Sans Faceted Midi 1 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: display, posters, headlines, logotypes, packaging, techno, arcade, industrial, futuristic, mechanical, digital feel, impact, modularity, stencil-like geometry, signage clarity, octagonal, angular, chamfered, geometric, blocky.
A geometric, angular sans with squared proportions and consistent stroke weight throughout. Curves are largely replaced by straight segments and chamfered corners, producing an octagonal, faceted construction in rounds like O/C/G and in numerals. Counters are mostly rectangular and compact, terminals are blunt, and diagonals appear in controlled, planar cuts rather than smooth joins. Spacing is moderately tight and the overall silhouette feels sturdy and modular, with a tall lowercase that keeps the text line visually dense.
Best suited to display applications where the faceted geometry can read as an intentional style—headlines, posters, branding marks, packaging, and UI/overlay titles for games or tech-forward products. It can work in short blocks of text when set with generous tracking and size, but its dense, angular detailing is most effective for emphasis rather than long-form reading.
The face projects a digital, engineered tone with strong arcade and sci‑fi associations. Its sharp facets and block-like rhythm feel precise and utilitarian, suggesting machinery, interfaces, and technical labeling rather than warmth or informality.
The design appears intended to deliver a bold, modular voice built from straight cuts and chamfers, evoking digital and industrial aesthetics while maintaining a clean sans structure. The consistent, faceted construction suggests an aim for strong impact and easy recognition in display settings.
Uppercase forms are emphatic and signage-like, while the lowercase preserves the same faceted logic for a cohesive system. Distinguishing features include the angular, clipped joins on letters like S and G, and squared-off bowls and counters across the set, which read especially clearly at larger sizes.