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Free for Commercial Use

Wacky Yita 4 is a regular weight, wide, medium contrast, reverse italic, normal x-height font.

Keywords: posters, headlines, packaging, stickers, event promos, playful, chaotic, retro, mischievous, handmade, attention grab, texture effect, comic tone, graphic branding, textured, distressed, striped, cutout, jagged.


Free for commercial use
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A bold, wide display face built from compact, rounded letterforms that are heavily interrupted by irregular horizontal gaps. The strokes read as broken bands, creating a high-impact striped texture that stays consistent across caps, lowercase, and numerals. Curves are soft and slightly blobby, while terminals and counters are frequently notched or partially removed, producing a torn, cutout-like silhouette. Spacing and interior shapes feel intentionally uneven, giving the line a lively, slightly erratic rhythm in text.

Best suited for short, high-visibility copy such as posters, headlines, album/cover graphics, packaging, and promotional materials where the striped distress can act as a visual hook. It also works well for playful branding moments, stickers, and social graphics where legibility can be traded for personality. For longer passages, larger sizes and generous tracking help preserve readability.

The overall tone is playful and mischievous, with a loud, animated texture that feels like camouflage or shredded paper. Its quirky interruptions add a comedic, offbeat personality that reads more like a graphic motif than a neutral text tool. The effect leans nostalgic and novelty-driven, suited to attention-grabbing, tongue-in-cheek messaging.

This design appears intended to merge a sturdy, friendly sans-like base with an aggressive horizontal “eroded” or banded treatment to create a single, instantly recognizable texture. The goal is impact and character: a decorative voice that turns words into pattern while still keeping letterforms broadly familiar.

The repeated horizontal breaks become a dominant pattern at larger sizes, while at smaller sizes they can reduce clarity as the counters and joins fragment. The wide proportions help keep letters distinguishable despite the heavy disruption, and the texture remains remarkably uniform across the set, making it feel cohesive as a system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸