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Free for Commercial Use

Sans Normal Ludiz 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Nicky Sans' by Digitype Studio, 'Centra No. 2' by Monotype, 'Madani' by NamelaType, 'Gilroy' by Radomir Tinkov, and 'Santral' by Taner Ardali (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, playful, sporty, friendly, punchy, retro, high impact, energetic tone, friendly display, brand presence, rounded, soft corners, chunky, oblique.


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A heavy, oblique sans with rounded geometry and softened corners throughout. Strokes are thick and largely uniform, with broad curves and compact counters that create a dense, confident color in text. The italic angle is pronounced, and many joins and terminals are cut with subtle diagonal faceting that adds a brisk, forward-leaning rhythm. Numerals and capitals read sturdy and simplified, while the lowercase keeps a clean, single-storey feel with generous curves and minimal detailing.

Best suited to display settings where strong presence is needed, such as headlines, posters, promotional graphics, and bold branding. The rounded, energetic shapes also fit packaging and youth- or sport-adjacent identities, and can work for short subheads where a friendly but forceful tone is desired.

The overall tone is energetic and approachable, combining a bold, sporty attitude with friendly roundness. Its forward slant and chunky forms suggest motion and enthusiasm, giving it a mildly retro, headline-ready personality rather than a quiet, neutral voice.

The design appears intended to deliver maximum impact with a fast, energetic slant while keeping forms simple and welcoming. By combining chunky strokes, rounded construction, and crisp angled terminals, it aims to remain highly legible at large sizes and visually distinctive in branding-forward contexts.

The letterforms lean on circular construction (notably in O/Q and the rounded bowls), with tight apertures and counters that emphasize mass. The oblique stance and angled terminals create a consistent directional texture across both the grid and the paragraph sample, helping lines of text feel cohesive and dynamic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸