Solid Teve 2 is a very bold, normal width, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, stickers, chunky, playful, cutout, posterish, retro, attention grab, graphic texture, die-cut feel, retro display, novel lettering, blocky, rounded, stencil-like, notched, heavy.
A dense, chunky display face with simplified silhouettes and a strong, solid black presence. Forms are built from broad, rounded blocks and straight cuts, with frequent notches, bite-like corners, and wedge terminals that create a carved or cutout impression. Many counters are minimized or partially collapsed, producing compact interior space and emphasizing mass over detail. The rhythm is intentionally irregular, with varied edge treatments across letters and a slightly jumpy texture that reads as hand-cut or mechanically punched rather than strictly geometric.
Best suited for short, large-scale applications such as posters, event headlines, packaging callouts, and bold logo wordmarks where its cutout texture can be appreciated. It can also work for playful branding, stickers, or titles, but is less appropriate for long passages due to its dense interiors and strong visual noise.
The overall tone is bold and playful, with a quirky, puzzle-like character created by the repeated nicks and cutaways. It feels retro and poster-oriented, leaning toward a comic, toy, or arcade sensibility while staying more abstract than friendly. The heavy black shapes give it an attention-grabbing, high-impact voice suited to energetic, informal messaging.
Likely designed to maximize impact through heavy, simplified shapes while adding distinctive character via repeated cuts and collapsed openings. The intent appears to be a novelty display style that feels stamped, carved, or die-cut, providing immediate recognition and a graphic, high-contrast presence on the page.
At text sizes the tight interiors and aggressive fill can reduce legibility, especially in letters where bowls and counters nearly close. The font’s personality comes through best when given space, where the notches and cutouts can be perceived as deliberate stylistic motifs rather than noise.