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Free for Commercial Use

Sans Superellipse Ukmod 7 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Metro Block' by Ghozai Studio, 'Fixture' by Sudtipos, 'Herokid' by W Type Foundry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, assertive, retro, poster-ready, mechanical, maximize impact, save space, signage style, mechanical tone, display clarity, condensed, blocky, stencil-like, rounded corners, modular.


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A condensed, heavyweight sans with tall proportions and a strongly vertical rhythm. Forms are built from squared, superelliptical bowls and rounded-rectangle counters, giving curves a machined, modular feel. Terminals are mostly flat and blunt, with occasional carved notches and ink-trap-like cut-ins that sharpen joins and add a slightly stenciled impression. Strokes stay largely uniform, favoring tight apertures and compact interior spaces; diagonals (like in V/W/X/Y) appear as tapered wedges that reinforce the font’s compressed, poster-centric texture.

Best suited to short, high-impact settings such as headlines, poster titles, packaging panels, and signage where density and punch are assets. It can also work for bold branding applications—particularly where a compact, industrial voice is desired—while longer passages will benefit from generous tracking and larger sizes.

The overall tone is forceful and utilitarian, with a vintage display energy reminiscent of industrial signage and bold editorial headlines. Its compressed geometry and squared rounding read as confident and no-nonsense, while the small cut-ins add a hint of technical grit.

The design appears intended to maximize impact in narrow widths by combining tall, compact letterforms with rounded-rectangle construction. The subtle cut-ins at joins suggest an effort to keep heavy shapes from clogging while preserving a hard-edged, mechanical character.

In text, the tight apertures and dense counters create a dark typographic color, so spacing and size become important for clarity. Figures and capitals match the same squared-round construction, keeping a consistent, engineered voice across letters and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸