Script Bodut 2 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: greeting cards, invitations, branding, packaging, social posts, playful, friendly, handmade, casual, whimsical, handwritten charm, modern calligraphy, warm branding, decorative emphasis, brushy, looping, bouncy, rounded, flourished.
This script shows a brush-pen character with high-contrast strokes that swell on curves and taper to fine terminals. Letterforms are mostly upright with a lively, slightly bouncy baseline and generous looping in ascenders and descenders. Connections are suggested in the lowercase rhythm, though many joins are minimal and the design often reads as semi-connected handwriting. Capitals are larger and more gestural, featuring prominent entry/exit swashes and occasional open counters that keep the texture airy despite the dark downstrokes. Numerals echo the handwritten logic with simplified, curvy shapes and a few distinctive loops (notably in 2 and 3).
This font is well suited to short-to-medium display text such as greeting cards, invitations, boutique branding, product packaging, and social media graphics. It also works for headlines or pull quotes where a warm, handwritten voice is desired; for best results, give it moderate tracking and avoid very small sizes where fine hairlines may disappear.
The overall tone is personable and informal, like neat brush lettering for invitations or packaging. Its flowing loops and smooth curves add a cheerful, slightly whimsical feel, while the crisp tapers keep it from looking messy or overly casual.
The design appears intended to emulate modern brush calligraphy with a clean, curated finish: expressive capitals, looping extenders, and smooth contrast transitions that create a friendly handcrafted signature without excessive roughness.
Stroke contrast and rounded turns are consistent across the set, giving the font a cohesive, hand-drawn rhythm. The design leans on flourish for emphasis—especially in capitals and in letters with long extenders—so spacing and line breaks benefit from a bit of breathing room.