Sans Superellipse Sogoz 6 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'EF Radiant' by Elsner+Flake, 'Mothem' by Gerobuck, 'Grunvil' by Sealoung, 'Address Sans Pro' by Sudtipos, and 'Policia Secreta' by Woodcutter (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, compact, forceful, retro, utilitarian, space saving, high impact, signage clarity, brand punch, condensed, blocky, squared-round, closed apertures.
A compact, heavy display sans with squared-round (superellipse) construction and a tight, vertical silhouette. Strokes are thick and confident, with subtly softened corners that keep the forms from feeling harsh while preserving a blocky, machined geometry. Counters are relatively small and apertures tend to be closed, producing dense word shapes and strong color on the page. Curves read as rounded rectangles rather than true circles, and terminals stay blunt and straightforward, creating a consistent, sturdy rhythm across letters and figures.
Best suited for headlines, posters, and signage where maximum impact is needed in limited horizontal space. It can work well for packaging labels, sports or team branding, and editorial display settings that benefit from a compact, muscular voice. Use generous tracking and ample line spacing when setting longer phrases to maintain clarity.
The overall tone is bold and workmanlike, evoking industrial signage, sport and event typography, and mid-century condensed headline styles. Its compressed stance and dense interiors feel assertive and no-nonsense, projecting strength and immediacy rather than delicacy.
The design appears intended to deliver a strong, space-saving headline tool with a distinctive squared-round silhouette. By combining blunt terminals with softened corners and compact counters, it aims for high visibility and a durable, utilitarian character across caps, lowercase, and numerals.
At larger sizes the rounded-square anatomy becomes a defining signature, giving the face a distinctive, slightly retro mechanical flavor. In longer lines the density and narrow spacing can make text feel dark and insistent, favoring short bursts of copy over extended reading.