Sans Contrasted Gori 6 is a bold, normal width, very high contrast, upright, short x-height font.
Keywords: headlines, posters, logotypes, packaging, ui labels, techno, futuristic, modular, industrial, arcade, digital aesthetic, sci-fi branding, display impact, modular system, rectilinear, rounded corners, monoline joins, segmented, geometric.
A rectilinear sans with a modular, segmented construction and squared counters softened by rounded outer corners. Strokes alternate between thick verticals and much lighter horizontals, producing a crisp, mechanical rhythm and pronounced internal “gaps” where forms are implied rather than fully closed. Terminals are predominantly flat and cut square, with occasional notch-like joins and simplified diagonals. Proportions feel compact with small apertures and a short lowercase body, while widths vary noticeably from narrow letters like i and l to broader forms like m and w, giving the texture a stepped, engineered cadence.
Best suited for headlines, branding, and short bursts of text where its angular, modular character can be appreciated. It works particularly well for tech-themed posters, game or hardware branding, packaging, and interface labels or titles where a digital/industrial flavor is desired. For long-form reading or small UI text, the segmented bowls and tight apertures may require generous sizing and spacing.
The overall tone is futuristic and instrument-like, reminiscent of digital readouts, arcade interfaces, and sci‑fi labeling. Its sharp geometry and intentional segmentation convey precision and a slightly playful retro-tech attitude rather than a neutral corporate voice.
The design appears intended to evoke digital signage and engineered lettering through squared geometry, reduced curves, and deliberate stroke contrast. By combining strong verticals with thin horizontals and partially open counters, it aims to create a distinctive techno voice that remains orderly and repeatable across the character set.
Many glyphs use open or partially enclosed bowls (notably in letters like a, e, g, and s), which increases stylization and can reduce clarity at smaller sizes. Numerals and capitals read especially strongly due to their boxy silhouettes and consistent corner treatment, making the design feel suited to display-driven settings.