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Free for Commercial Use

Cursive Rysa 3 is a regular weight, narrow, very high contrast, italic, short x-height font.

Keywords: logos, branding, packaging, posters, invites, expressive, romantic, handmade, lively, vintage, hand-lettered feel, elegant emphasis, signature tone, display impact, brushy, looping, swashy, slanted, bouncy.


Free for commercial use
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A brush-script style with a consistent rightward slant, narrow letterforms, and strong thick–thin modulation that mimics a pointed/brush pen. Strokes show tapered entrances and exits, rounded joins, and occasional ink-like pooling at curves, giving the outlines a lively, drawn rhythm. Capitals are tall and slightly flourished with open counters and sweeping terminals, while lowercase forms keep a compact, short-bodied feel with prominent ascenders/descenders and frequent looped structures. Overall spacing is fairly tight and the baseline has a subtle bounce, producing an energetic, hand-rendered texture in words and lines of text.

Well-suited for short, expressive settings such as logos, brand marks, product packaging, poster headlines, social graphics, and invitations where a handwritten voice is desirable. It works best at display sizes and in moderate amounts of text, where the high contrast and lively terminals can remain clear and intentional.

The font conveys an informal, personal tone—confident and expressive rather than polished or corporate. Its high-contrast brush movement and looping forms suggest a romantic, boutique sensibility with a hint of vintage signage and handcrafted packaging.

The design appears intended to simulate quick, confident brush lettering—combining calligraphic contrast with a casual, handmade finish. Its narrow, slanted construction and swashy terminals aim to create elegant emphasis and a personable, signature-like presence in display typography.

The numerals follow the same calligraphic logic, with tapered starts, narrow proportions, and occasional swash-like terminals. Uppercase shapes read as display-oriented, and the most dramatic stroke contrast and terminals become more prominent at larger sizes where the brush texture and tapering can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸