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Free for Commercial Use

Sans Normal Lylog 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gezart' by Ani Dimitrova, 'EF Diamanti Condensed' by Elsner+Flake, 'Fact' by ParaType, 'Bajazzo' by Schriftlabor, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, punchy, playful, energetic, retro, impact, motion, attention, branding, slanted, rounded, compact, chunky, soft corners.


Free for commercial use
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This typeface is a heavy, right-slanted sans with rounded construction and compact interior spaces. Strokes are broadly uniform, with smooth curves and softened joins that keep the dense weight from feeling sharp. Counters are small and often teardrop-like due to the forward lean and thick strokes, while terminals tend to be blunt and clean rather than flared. Overall spacing reads fairly tight in text, producing a dark, cohesive rhythm with strong letter-to-letter momentum.

Best suited for display applications where impact and speed are desired: headlines, posters, sports or event branding, packaging, and bold signage. It can work for short bursts of text such as callouts or subheads, but the tight counters and heavy color make it less ideal for long-form reading.

The combination of extreme heft and a steady italic slant gives the font a fast, assertive voice with a friendly edge. Its rounded shapes and slightly bouncy details keep it from feeling severe, making it feel sporty and headline-driven rather than formal. The tone lands in a lively, retro-leaning space suitable for attention-grabbing messaging.

The design appears intended to deliver maximum emphasis with a sense of motion, combining a strong, condensed-feeling presence with rounded, approachable forms. Its consistent weight and slanted posture suggest a focus on energetic branding and promotional typography where legibility and character need to be immediate.

Curved letters (like O/C/S) stay smooth and full, while diagonals (like A/V/W/X) appear sturdy and wedge-like, emphasizing motion. Numerals match the same chunky, rounded geometry and hold up well at display sizes, though the dense weight suggests careful use at smaller sizes to preserve counter clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸