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Free for Commercial Use

Stencil Efry 17 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Gotham' by Hoefler & Co., 'Avenir Next Paneuropean' by Linotype, 'Morandi' by Monotype, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, utilitarian, rugged, bold, retro, stencil aesthetic, industrial tone, display impact, signage feel, rugged branding, rounded, soft corners, modular, chunky, high impact.


Free for commercial use
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A heavy, rounded stencil sans with thick strokes and softened terminals. The letterforms are built from broad, geometric shapes, with consistent stencil breaks that create clear internal counters and bridges in bowls and apertures. Curves feel inflated and slightly compressed in places, while straight stems stay monoline and sturdy, producing a blocky rhythm. The lowercase follows the same modular logic, and the figures are compact and punchy with distinctive breaks that keep them readable at display sizes.

Best suited to display contexts such as posters, headlines, branding marks, and packaging where the stencil detailing can be appreciated. It also fits wayfinding or faux-industrial signage styles, especially when used at larger sizes with solid color fills and high contrast backgrounds.

The overall tone is industrial and workmanlike, evoking painted equipment markings and cut-out signage. Its rounded geometry keeps the texture friendly rather than harsh, while the stencil cuts add a tactical, functional character. The result feels confident, rugged, and attention-grabbing.

The design appears intended to deliver a bold stencil look with a softer, rounded construction—combining industrial practicality with approachable, contemporary curves. The consistent modular breaks suggest a focus on repeatable, cut-out or spray-stencil aesthetics for high-impact typographic statements.

Spacing appears generous enough for the stencil gaps to read cleanly, and the consistent bridge placement gives lines of text a repeating, patterned texture. The design remains legible in short words and headlines, where the broken strokes read as intentional detailing rather than distortion.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸