Sans Superellipse Gidok 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, 'Evanston Tavern' by Kimmy Design, and 'Revx Neue' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, tech, sporty, confident, compact, impact, modernity, geometric unity, branding, squared, rounded, blocky, stencil-like, geometric.
A heavy, geometric sans built from squared forms with generously rounded corners. Curves resolve into superelliptical, rounded-rectangle bowls (notably in O, D, P, and 0), while straight strokes stay uniform and dense, producing a solid, poster-friendly color. Apertures are tight and counters are compact, with simplified terminals and minimal modulation. The lowercase follows the same engineered logic with sturdy stems and short extenders, and the figures mirror the caps with squared, rounded outlines and broad horizontal cuts.
Best suited for headlines and short-form display where weight and shape can carry the message—such as posters, cover graphics, product packaging, and bold brand marks. It also works well for sports or tech-adjacent branding systems that benefit from compact, squared letterforms and strong numeral presence.
The overall tone is assertive and utilitarian, leaning toward a sporty, technical feel. Its squared geometry and compact spacing read as modern and machine-made, with an industrial confidence suited to bold statements rather than subtle text.
The font appears designed to deliver maximum impact with a coherent rounded-rect geometry, prioritizing bold legibility and a contemporary, engineered aesthetic in large sizes.
The design emphasizes consistency of corner radii and a boxy silhouette, giving lines of text a steady, modular rhythm. Several glyphs show intentionally simplified joins and notch-like cut-ins that reinforce a manufactured, display-oriented character.