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Sans Superellipse Hakup 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Military Jr34' by Casloop Studio, 'Midsole' by Grype, 'B52' by Komet & Flicker, 'Revx Neue' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: headlines, branding, posters, ui display, signage, techy, futuristic, assertive, industrial, clean, modernize, systematize, signal technology, maximize impact, enhance clarity, rounded corners, squared curves, boxy, compact, high contrast edges.


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A heavy, geometric sans with squared proportions and generously rounded corners, producing a superellipse-like construction across curved letters. Strokes are largely even and solid, with flat terminals and minimal modulation, creating a firm, engineered texture. Counters tend toward rounded-rectangle shapes (notably in O, D, P, and 0), while diagonals in A, V, W, X, and Y are crisp and decisive. The lowercase is compact and simplified, with a single-storey a and g and short, sturdy ascenders and descenders that keep the overall silhouette tight in text.

Best suited to display sizes where its compact geometry and rounded-square forms can read as a deliberate stylistic choice—headlines, brand wordmarks, posters, and tech-forward packaging. It can also work for UI titles, navigation labels, and signage where strong presence and quick recognition are prioritized over long-form reading comfort.

The overall tone reads modern and technical, with a confident, utilitarian voice reminiscent of digital interfaces and industrial labeling. Its rounded-square geometry softens the mass slightly, but the dominant impression remains bold, direct, and futuristic.

The typeface appears designed to translate a rounded-rectangular, device-like geometry into a sturdy, contemporary sans that feels engineered and systematic. The simplified lowercase and consistent corner treatment suggest an intention to deliver a distinctive, tech-oriented voice while maintaining straightforward legibility.

The design maintains a consistent corner radius and rectangular logic across letters and numerals, giving lines of text a uniform, modular rhythm. Numerals appear built for clarity, with a squared 0 and similarly structured 2, 3, 5, and 9 that match the typeface’s rounded-rectangular motif.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸