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Free for Commercial Use

Inverted Tune 4 is a very bold, normal width, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, packaging, stickers, kids branding, playful, quirky, retro, comic, chunky, attention grabbing, modular system, handmade feel, novelty display, rounded, wobbly, soft corners, stencil-like, boxed.


Free for commercial use
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A heavy, boxy display face built from rounded-square tiles, with each glyph appearing as a light cut-out inside a solid block. The counters and terminals are irregular and hand-drawn in character, creating a wobbly rhythm and uneven internal edges that feel intentionally imperfect. Strokes are thick and simplified, with generous interior openings for the style, and a consistently upright stance. The overall texture reads as a repeating grid of bold plaques, with subtle per-glyph width variation and compact, punchy silhouettes.

Best suited for headlines, posters, cover art, and packaging where the bold, tiled look can function as a graphic element. It also works well for stickers, labels, short slogans, and playful branding systems that benefit from a strong modular rhythm. For longer text, it’s most effective in short bursts or as an accent due to the high visual density of the boxed forms.

The font conveys a playful, quirky tone—part cartoon, part retro sign lettering. Its chunky tile construction and uneven cut-ins give it a crafty, zine-like energy that feels informal and attention-seeking rather than refined. The inverted light-on-dark effect adds a bold, posterish impact with a hint of novelty.

This design appears intended as a high-impact display font that merges a modular tile system with hand-cut, irregular inner shapes. The goal seems to be instant visibility and a distinctive, playful texture, using the reversed cut-out construction to turn each character into a compact icon-like block.

The square containers strongly shape word silhouettes, creating a consistent modular cadence across lines of text. Because the letterforms are defined by interior cut-outs, fine details are minimized and shapes stay legible at larger sizes, where the irregular edges become a key part of the personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸