Serif Other Isluf 5 is a regular weight, very wide, medium contrast, upright, normal x-height font.
Keywords: posters, titles, branding, packaging, book covers, gothic, heraldic, medieval, dramatic, old-world, historical evocation, decorative display, engraved effect, thematic branding, angular, chiseled, flared, faceted, high-impact.
A decorative serif with a chiseled, faceted construction and strongly angular terminals. Strokes feel carved rather than penned, with crisp edges, flattened curves, and frequent wedge-like flares that read as stylized serifs. The round letters are polygonal and slightly squarish, and many joins and shoulders are sharpened into points, producing a rhythmic, segmented texture across words. Overall spacing is open and the silhouettes are bold and geometric, with distinctive, intentionally idiosyncratic letterforms that prioritize character over neutrality.
Works best for display settings such as posters, title sequences, game or fantasy-themed branding, packaging, and book covers where a distinctive gothic voice is desired. It can also suit short headings and logotypes, especially when you want a carved, heraldic texture to carry the mood.
The face conveys an old-world, gothic tone—ornamental and assertive, with a carved-signage flavor that suggests tradition, ritual, and spectacle. Its angularity and faceting give it a rugged, forged feel, making the text feel ceremonial and story-like rather than contemporary.
Likely designed to evoke a historical, engraved aesthetic through angular, faceted forms and wedge-like serifs, creating a bold decorative texture that reads as crafted and ceremonial. The goal appears to be strong personality and thematic atmosphere for display typography rather than neutral body-text readability.
The alphabet shows strong stylistic consistency in its wedge terminals and polygonal curves, creating a cohesive “cut stone” texture in running text. The figures follow the same faceted logic, helping numerals feel integrated rather than generic. The overall impression is decorative and attention-grabbing, best used where the texture is a feature rather than a distraction.