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Sans Contrasted Udva 6 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'HGB Santo' by HGB fonts, 'Optima' and 'Optima Nova' by Linotype, 'MC Attrey' by Maulana Creative, 'Alinea Incise' by Présence Typo, 'Tabac Glam' by Suitcase Type Foundry, and 'Classico' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, book covers, magazine titles, branding, editorial, confident, traditional, dramatic, formal, impact, heritage, editorial voice, display emphasis, brand presence, bracketed, calligraphic, flared, wedge-like, ball terminals.


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A heavy, display-oriented serif with pronounced stroke modulation and brisk, calligraphic shaping. Stems read sturdy and vertical, while many terminals flare into wedge-like or lightly bracketed finishes that give the outlines a carved, inked feel. Round letters show strong thick–thin contrast and slightly condensed counters, and the overall rhythm alternates between broad curves and crisp joins for a lively texture. The lowercase keeps a moderate x-height with prominent ascenders/descenders, and numerals follow the same emphatic, high-contrast construction for strong typographic color.

Best suited to headlines, deck type, and short passages where strong contrast and bold color can carry the design. It works well for magazine titles, book and album covers, theatrical or historical promotions, and brand marks that want a traditional yet punchy voice.

The face projects an assertive, editorial tone—classic and authoritative, but with enough motion in the terminals and contrast to feel theatrical. It suggests heritage publishing and refined branding rather than neutral utility, reading as confident and slightly dramatic in headlines.

The design appears intended to deliver a classic, high-impact reading experience with a distinctly editorial flavor—combining robust weight with calligraphic contrast to create memorable titles and emphatic typographic statements.

Several forms feature distinctive, sharp tapering at stroke ends and angled cutoffs that add energy to straight-sided letters. The overall silhouette is consistent and weighty, creating a dark, impactful line in text while remaining clearest at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸