Sans Other Ohfo 10 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, titles, branding, techno, sci‑fi, industrial, game ui, futuristic, futurism, impact, modularity, mechanized feel, display clarity, angular, chamfered, cornered, stenciled, squared.
A heavy, geometric display sans with squared counters, straight-sided curves, and frequent chamfered or clipped corners. Strokes are largely uniform, producing a crisp, monoline feel, while terminals often end in sharp wedges or small notches that give many letters a subtly stenciled, cut-from-metal impression. Round letters (O, C, G, Q) are built from boxy arcs and flat segments rather than true circles, and diagonals (A, V, W, X, Y) are steep and rigid, reinforcing the constructed, mechanical rhythm. Lowercase forms stay compact and modular, with distinctive simplified shapes (notably the single-storey a and the angular, segmented s), and numerals follow the same squared, panel-like construction for a consistent set.
Best suited for short display text where its angular detailing can read clearly—headlines, posters, title cards, packaging callouts, esports or game UI accents, and tech-themed branding. It can also work for logos or wordmarks that benefit from a machined, futuristic voice, while extended small-size body text may feel dense due to the many cut corners and tight internal shapes.
The overall tone is assertive and engineered—evoking sci‑fi interfaces, arcade or retro-futurist graphics, and industrial labeling. Its sharp cuts and squared geometry communicate precision and toughness, with a slightly stylized, techno personality rather than a neutral utilitarian one.
Likely designed to deliver a cohesive techno display look by combining monoline weight with faceted geometry and recurring chamfers, creating a constructed, modular system across uppercase, lowercase, and figures.
The design leans on negative-space cutouts and corner bevels as a repeating motif, which adds character at larger sizes but also introduces busy detail in tight settings. Curved joins are minimized in favor of flat facets, and several glyphs use asymmetric cuts that create a dynamic, forward-leaning energy without actual slant.