Print Fefy 2 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, branding, social media, headlines, energetic, casual, friendly, handmade, sporty, handmade feel, quick lettering, display impact, casual branding, brushy, slanted, textured, punchy, rounded.
A lively, brush-pen style print with a consistent forward slant and compact proportions. Strokes are thick and tapered with occasional dry-brush texture, producing slightly ragged edges and small ink blobs at turns. Letterforms stay unconnected but maintain a flowing rhythm, with rounded bowls, simplified terminals, and subtly bouncing baseline behavior. Counters are moderately open and shapes are condensed overall, helping the alphabet feel tight and quick while staying readable at display sizes.
Works best for short-to-medium display text where a handmade brush feel is desired: posters, product packaging, café or lifestyle branding, event promos, social graphics, and punchy headlines. It can also serve as an accent face paired with a neutral sans for supporting text, especially when aiming for an energetic, personal voice.
The font conveys an upbeat, informal tone—like quick marker lettering used for headlines, posters, or personal notes. Its slanted momentum and bold strokes give it a confident, sporty attitude, while the textured brush character keeps it approachable and human.
The design appears intended to mimic quick, confident brush lettering in a print (unconnected) style—prioritizing momentum, texture, and personality over strict geometric precision. Its condensed, slanted construction suggests a focus on impactful, space-efficient display settings that still feel casual and human.
Capitals are assertive and somewhat simplified, matching the lowercase in stroke energy rather than adopting rigid calligraphic structure. Numerals follow the same brush logic, with rounded forms and varied stroke endings that emphasize hand-made movement. The overall texture becomes more prominent as sizes increase, where the stroke edges and tapering read as a deliberate brush effect.