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Free for Commercial Use

Solid Ogde 3 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Chamelton' by Alex Khoroshok, 'Hadney Buddy' by Arterfak Project, and 'Passiflora' by Compañía Tipográfica de Chile (names referenced only for comparison).

Keywords: posters, headlines, logos, stickers, packaging, playful, gooey, cartoon, quirky, chunky, attention-grab, comic tone, shape-led, informality, novelty impact, rounded, blobby, soft, hand-drawn, lumpy.


Free for commercial use
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A heavy, blob-like display face with soft, rounded silhouettes and uneven, hand-shaped contours. The strokes swell and pinch irregularly, creating a wobbly rhythm and slightly inconsistent widths from letter to letter. Many counters are fully closed or nearly collapsed, turning forms into solid masses and emphasizing silhouette over internal detail. Terminals are bulbous and corners are broadly rounded, with a gentle right-leaning, forward-moving stance.

Best suited for short, high-impact display settings such as posters, splashy headlines, logo marks, stickers, playful packaging, and event graphics. It works especially well when you want text to behave like bold shapes—ideal for kid-oriented, comedic, or novelty contexts rather than long-form reading.

The overall tone is playful and mischievous, with a gooey, squishy character that feels informal and cartoon-led. Its lumpy shapes and filled-in interiors give it a bold, comic presence that reads more as expressive shapes than conventional letterforms.

The design appears intended to maximize personality and visual weight through soft, irregular silhouettes and intentionally simplified internal structure. By prioritizing chunky outlines and closing counters, it aims to create an unmistakable, punchy look that stands out instantly in display use.

Because interior openings are minimal, readability drops quickly as size decreases or in dense settings. The most successful results come from generous sizing and spacing, where the outer contours can be appreciated and the forms don’t merge visually.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸