Print Ebrab 1 is a very light, narrow, medium contrast, upright, short x-height font.
Keywords: greeting cards, children’s media, packaging, posters, social graphics, airy, friendly, whimsical, casual, bookish, handwritten warmth, casual readability, playful display, personal voice, loopy, spindly, monoline-ish, quirky, hand-drawn.
A delicate, hand-drawn print face with thin strokes and a slightly wobbly baseline that preserves the natural rhythm of pen lettering. Forms are tall and relatively slim, with open counters and generous internal space; curves are lightly irregular and terminals taper subtly as if lifted from the page. Capitals are simple and legible with occasional looped or hooked strokes, while the lowercase mixes rounded bowls with narrow stems and a noticeably modest x-height. Overall spacing feels loose and organic, and widths vary from glyph to glyph in a way that reinforces the handwritten construction.
Best suited to display and short text where a personal, hand-lettered feel is desirable—greeting cards, invitations, craft or boutique packaging, and playful posters. It can also work for pull quotes or section heads in editorial layouts when you want an airy, informal contrast to a more neutral body type.
The tone is light and approachable, with a gentle, whimsical personality that reads as personal rather than polished. Its unevenities feel intentional and human, suggesting notes, journaling, or a playful editorial voice without becoming overly decorative.
The design appears intended to capture the immediacy of quick pen printing—clean enough to read, but with visible hand pressure and small inconsistencies that signal authenticity. It prioritizes warmth and personality over strict geometric uniformity, aiming for an easygoing, human presence in headings and accent text.
Numerals follow the same airy, handwritten logic, with slender strokes and soft curves that keep them readable but informal. In text samples, the face maintains clarity at larger sizes while the thin strokes and lively irregularities become the main character, lending a sketchbook-like texture to headlines and short passages.