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Free for Commercial Use

Sans Superellipse Udgon 17 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' and 'European Soft Pro' by Bülent Yüksel, 'Cream Opera' by Factory738, 'Angela Love Sans' by Fargun Studio, and 'Opinion Pro' by Mint Type (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, loud, industrial, retro, impact, space saving, speed, modernity, branding, condensed, oblique, geometric, rounded, compact.


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A compact, condensed sans with a pronounced oblique slant and heavy, even stroke weight. Forms are built from rounded-rectangle geometry: corners are softened, curves feel squarish and controlled, and counters stay relatively tight. Uppercase shapes are tall and blocky with firm terminals, while lowercase maintains a sturdy rhythm with simple, single-storey construction where applicable. Numerals are equally hefty and vertically oriented, matching the strong, forward-leaning texture of the letters.

Best suited for short, high-impact settings such as headlines, posters, sports or event branding, packaging callouts, and wayfinding/signage where density and emphasis are assets. It can also work for subheads and display lines that need a compact footprint and strong presence, especially when paired with a calmer companion for longer reading.

The overall tone is assertive and kinetic, with a forward-leaning stance that suggests speed and momentum. Its dense, dark color reads as confident and attention-seeking, leaning toward sporty and industrial signage vibes rather than quiet editorial refinement. The rounded geometry keeps it from feeling harsh, adding a slightly retro, engineered character.

The design appears intended to deliver maximum impact in minimal horizontal space while preserving a clean, geometric voice. Its rounded-rectangle construction and consistent slant suggest a focus on fast, modern messaging with an engineered, athletic edge, optimized for bold display typography.

The condensed proportions and tight counters create strong word shapes and a continuous, high-impact text color. The slant is consistent across cases and figures, reinforcing a unified sense of motion. Rounded corners and squared curves give the face a distinctive “machined” smoothness compared to purely circular geometrics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸