Outline Ordu 2 is a very light, normal width, low contrast, italic, tall x-height font.
Keywords: posters, headlines, comics, game ui, packaging, comic, playful, energetic, quirky, retro, attention-grabbing, youthful, stylized display, comic flavor, motion/energy, angular, outlined, jagged, cartoonish, hand-drawn.
A jagged, angular outline face built from irregular polygonal contours, with consistent single-line stroke drawing the outer edge and no interior fill. The letterforms lean forward and feel slightly uneven in a controlled way, with chiseled corners, occasional notches, and off-kilter terminals that give a cut-paper or carved look. Proportions are compact and bold in silhouette despite the open outline, with a relatively large x-height and simplified counters that stay readable at display sizes. Spacing appears lively and slightly variable, reinforcing an informal rhythm across words and lines.
Best suited to display settings such as posters, headlines, comic or zine-style graphics, game titles/UI accents, and punchy packaging callouts where the outlined silhouette can stand out. It can also work for short slogans and logos that benefit from a quirky, energetic voice, especially when paired with a simpler text font.
The overall tone is playful and comic-book adjacent, with a lively slant and edgy facets that suggest motion and mischief. Its crisp outlines and irregular geometry create a spirited, DIY personality—more fun and rebellious than polished or formal.
The design appears intended to deliver a high-impact, characterful outline look with a forward-leaning stance and deliberately imperfect, angular contours. It prioritizes personality and motion over neutrality, creating distinctive shapes that remain legible while projecting a playful, comic energy.
The outline construction emphasizes the outer silhouette, making the font feel airy while still visually loud. Angular joins and occasional kinked strokes contribute to a hand-cut, sketchy energy that reads best when given room and used at larger sizes; dense paragraphs may feel busy due to the constant contour activity.