Sans Normal Apdiv 2 is a regular weight, wide, monoline, upright, tall x-height font visually similar to 'Cogenta', 'Cogenta', and 'Cogenta Text' by SRS Type (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, clean, modern, friendly, neutral, tech, clarity, versatility, modernity, systematic design, readability, geometric, open, rounded, crisp, minimal.
This typeface presents a clean geometric sans structure with predominantly circular bowls, smooth arcs, and even, monoline-like stroke behavior. Proportions feel generous and open, with a notably tall x-height and straightforward, upright construction that keeps counters clear at text sizes. Terminals are mostly clean and blunt, while joins are crisp and controlled, giving the shapes a consistent, engineered rhythm. Numerals follow the same rounded geometry, with simple, highly legible forms and stable spacing that supports continuous reading.
It performs well for interface typography, product copy, and dashboards where high clarity and a steady texture are important. The open shapes and roomy proportions also suit signage, wayfinding, and modern branding systems, and it scales comfortably for presentations and editorial subheads where a clean, contemporary voice is needed.
The overall tone is modern and approachable, balancing a technical, rational geometry with soft roundness that keeps it from feeling cold. It reads as neutral and dependable, suitable for UI-forward design where clarity and calm consistency matter.
The design appears intended as a versatile, contemporary sans that prioritizes legibility and consistency through geometric construction and open counters. Its tall lowercase proportions and restrained detailing suggest a focus on reliable performance across both short labels and longer reading, while maintaining a modern, approachable character.
Round letters such as C, G, O, and Q show smooth, near-circular construction, while diagonals (A, V, W, X, Y) remain sharp and clean, adding contrast to the otherwise curved palette. Lowercase forms keep apertures open and maintain a steady baseline presence, contributing to an even texture in paragraphs and longer lines.