Sans Other Nyhu 10 is a very bold, wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, logotypes, game ui, sci-fi branding, futuristic, techno, arcade, industrial, monolithic, high impact, tech aesthetic, retro-future, systemic feel, graphic branding, geometric, squared, angular, stencil-like, modular.
A heavy, block-constructed sans with a square, modular skeleton and tightly controlled right angles. Corners are frequently chamfered or notched, and many counters are small, rectangular cut-ins that create a pseudo-stencil effect without fully breaking the forms. The face sits on a strong baseline with compact apertures and minimal internal whitespace, producing a dense, poster-like color. Proportions favor broad, sturdy letter bodies and simplified curves rendered as stepped or beveled geometry, keeping the overall rhythm mechanical and uniform across caps, lowercase, and numerals.
Best suited to display settings where weight and geometry are assets: headlines, posters, title cards, packaging accents, and bold logotypes. It also fits game UI, esports/arcade-themed graphics, and futuristic or industrial brand systems where a constructed, modular voice is desired. For small sizes or text-heavy layouts, it will benefit from generous tracking and ample line spacing.
The overall tone feels digital and engineered—evoking arcade cabinets, sci‑fi interfaces, and industrial labeling. Its sharp, notched details add an assertive, slightly militaristic edge while staying playful in a retro-tech way. The strong geometry reads confident and loud, prioritizing impact over subtlety.
The design appears intended to deliver maximum visual punch through a modular, squared construction with distinctive notches and compact counters. It aims for a futuristic/retro-tech personality that reads as engineered and system-like, translating well to impactful display typography and graphic identities.
The notches and inset counters become a defining texture in text, creating a patterned cadence across repeated horizontals and verticals. In longer lines the dense shapes can visually merge, so spacing and size will strongly influence clarity, especially in mixed-case settings.