Sans Superellipse Pelom 6 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, signage, retro, industrial, techy, playful, sturdy, impact, branding, geometric unity, display clarity, retro-tech tone, rounded, squared, chunky, compact, modular.
A heavy, rounded-rect sans built from superellipse-like geometry, with broad strokes and softened corners throughout. Curves resolve into squarish bowls and counters, giving letters a compact, blocky silhouette while maintaining smooth terminals. Apertures tend to be relatively closed (notably in forms like C, S, and e), and counters are simple and geometric, often approaching rounded squares. The lowercase shows a tall x-height with short ascenders/descenders, and the overall rhythm is dense and stable, with a subtle modular feel across straight and curved joins.
Best suited to headlines and short statements where its dense, rounded-block forms can read as a deliberate graphic voice. It works well for logos, packaging, and signage that benefits from a sturdy, retro-tech impression, and for UI or display titling where a compact, impactful sans is desired.
The design reads as bold and durable with a friendly, slightly toy-like edge. Its squared-round construction evokes retro display lettering and contemporary tech branding at the same time, balancing industrial toughness with approachable softness. The overall tone is confident and attention-grabbing rather than delicate or bookish.
This font appears designed to deliver maximum impact with a cohesive superellipse-based system—combining squared structure and rounded comfort. The emphasis is on strong silhouette, uniform texture, and a distinctive geometric personality for display-driven typography.
The numerals and uppercase share the same rounded-rect logic, producing highly uniform color and strong signage presence. At smaller sizes, the tight apertures and compact counters may reduce differentiation in similar shapes, while at larger sizes the distinctive geometry becomes a key stylistic feature.