Sans Faceted Etfy 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bourgeois' by Barnbrook Fonts, 'Geogrotesque Expanded Series' by Emtype Foundry, 'Block Capitals' by K-Type, and 'Quantico' by MADType (names referenced only for comparison).
Keywords: headlines, logos, sports, esports, posters, energetic, sporty, industrial, futuristic, assertive, impact, speed, strength, branding, display, angular, chamfered, geometric, blocky, clipped terminals.
The letterforms are built from straight strokes and chamfered corners, replacing curves with crisp facets and clipped terminals. A consistent italic slant and substantial stroke mass create a tight, forceful rhythm, while counters are largely squared-off and compact. Proportions lean wide and sturdy in the capitals, with a utilitarian, engineered geometry that stays consistent across letters and numerals.
Well suited to sports branding, esports and streaming graphics, automotive or motorsport themes, and tech-forward packaging where a fast, muscular voice is desired. It works best for headlines, logos, badges, posters, and UI banners rather than long paragraphs, where the dense, angular detailing can become visually insistent. Numerals are particularly effective for scoreboards, labeling, and performance-oriented data displays.
This face projects speed and impact, with a decidedly technical, action-oriented tone. The angular cuts and forward slant give it an energetic, competitive feel that reads as contemporary and slightly aggressive rather than friendly or neutral.
The design appears intended to deliver maximum punch in short bursts of text, emphasizing motion and mechanical precision through faceted construction and an italic stance. Its simplified, hard-edged geometry suggests a goal of strong recognition at a glance, especially in headline-style settings.
The faceting is applied systematically across joins and corners, giving the set a cohesive, modular feel. The italic angle is strong enough to read as motion even in isolated glyphs, and the squared counters keep the texture compact and high-contrast in silhouette rather than inside detail.