Sans Normal Utrin 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Whitney' by Hoefler & Co.; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'Morandi' by Monotype; 'Belle Sans' by Park Street Studio; 'Akwe Pro' by ROHH; and 'Adora Compressed PRO' and 'Phoenica Std' by preussTYPE (names referenced only for comparison).
Keywords: ui labels, brand systems, posters, packaging, editorial heads, modern, clean, dynamic, neutral, technical, contemporary utility, emphasis slant, clear communication, system consistency, oblique, geometric, rounded, crisp, compact.
This typeface is an oblique sans with smooth, rounded construction and a consistent, low-contrast stroke. Curves are clean and fairly geometric, while joins and terminals stay crisp without pronounced flaring. Proportions feel compact and efficient, with straightforward forms and a steady rhythm that keeps letterspacing even across mixed-case text. Numerals and capitals share the same streamlined, forward-leaning stance, producing a unified, contemporary silhouette.
It performs well in interfaces and product contexts where a clean, modern oblique can add emphasis without sacrificing clarity. The steady texture and compact proportions make it suitable for headings, short paragraphs, captions, and brand applications that want a contemporary, kinetic feel.
The overall tone is modern and purposeful, with a subtle sense of motion from the slant. It reads as neutral and utilitarian rather than expressive, leaning toward a contemporary, slightly technical voice suitable for clear communication.
The design appears intended as a practical, contemporary oblique sans: streamlined shapes, low contrast, and consistent slant to deliver clarity with a forward-moving, modern character. It aims to provide a versatile voice that can function as a workhorse while still feeling dynamic in display settings.
The oblique angle is consistent across uppercase, lowercase, and figures, helping text maintain momentum in longer passages. Round letters (like O/C) remain open and stable, while diagonals and angled strokes (like A/V/W/X) add a sharper cadence that keeps the texture lively without becoming decorative.