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Free for Commercial Use

Sans Contrasted Isga 3 is a very bold, very wide, very high contrast, upright, normal x-height font visually similar to 'Juby' by Fontsphere and 'Moai Variable' by Unio Creative Solutions (names referenced only for comparison).

Keywords: posters, headlines, logos, sports, gaming, industrial, techno, futuristic, mechanical, assertive, impact, futurism, signage, branding, display, stencil-like, modular, squared, rounded corners, ink-trap cuts.


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A heavy, block-built sans with a modular, rectangular construction and softened corners. Many strokes appear as solid slabs with narrow internal cutouts and occasional notches that read like stencil breaks or ink-trap openings, creating pronounced dark–light rhythm inside otherwise massive forms. Curves are minimized and when present are flattened into shallow arcs; counters are tight and often reduced to slim vertical or horizontal apertures. Proportions are expansive with broad letter bodies and compact interior space, producing a dense texture, while lowercase and uppercase share a similarly engineered, geometric feel.

Best suited for high-impact display work such as posters, headlines, branding marks, and packaging where the strong silhouette and stencil-like cut details can be appreciated. It also fits techno, industrial, motorsport, and gaming-oriented graphics, and can work well for short UI labels or titles when set large with generous spacing.

The overall tone is industrial and techno-forward, with a rugged, engineered attitude. The repeated slots and breaks evoke machinery, signage, and sci‑fi interface lettering, giving the face an assertive, utilitarian character rather than a friendly or literary one.

The design appears intended to deliver maximum presence with a distinctive industrial signature, using modular blocks, tight counters, and strategic cutouts to create a machine-made, futuristic impression. Its detailing prioritizes character and punch in short bursts of text over quiet neutrality in extended reading.

The narrow apertures and internal breaks add distinctive identity at display sizes but can reduce clarity in long passages, especially where counters collapse into thin slits. Numerals and capitals maintain the same slabbed, modular language, supporting a cohesive, system-like voice across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸