Sans Superellipse Myfe 4 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FX Neofara' by Differentialtype, 'Diamante EF' by Elsner+Flake, 'Mothem' by Gerobuck, 'Budoin' by Lemonthe, 'Kobutuh' by Owl king project, and 'TS Diamante' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, poster-ready, retro, impact, legibility, compactness, branding, rounded, blocky, condensed feel, soft corners, compact.
A heavy, compact sans with squarish, superelliptical curves and consistently rounded corners. Strokes are uniform and dense, producing strong rectangular counters and broad vertical stems, while terminals are blunt and softly radiused rather than sharp. The lowercase is sturdy and utilitarian, with single-storey forms (notably a and g) and a simple, geometric construction; the dots on i and j are round and prominent. Numerals follow the same blocky logic, with squared bowls and clipped-looking joins that keep the overall silhouette tight and punchy.
Best suited to headlines, posters, large labels, and brand marks where maximum impact and quick recognition are needed. It also works well for sports and event graphics, wayfinding-style signage, and packaging callouts where a compact, high-contrast block of text is desirable.
The tone is bold and workmanlike, combining a friendly softness from the rounded corners with an assertive, no-nonsense mass. It suggests mid-century utility, athletic signage, and contemporary streetwear branding—confident, loud, and highly legible at distance.
The design appears intended to deliver a bold, space-efficient display voice built from rounded-rectangle geometry, prioritizing strong silhouettes and consistent texture. Its simplified forms and softened corners aim to balance toughness with approachability for modern branding and signage contexts.
In running text, the dense color and narrow openings create a strong horizontal rhythm that favors display sizes over long-form reading. Round forms like O and Q stay squared-off enough to maintain a consistent rectangular texture across words, while distinctive shapes in J, R, and Q add recognition in headlines.