Sans Other Uhsy 2 is a very light, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, titles, signage, futuristic, technical, minimal, digital, architectural, display, stylization, experimentation, clarity, angular, geometric, constructed, modular, outlined feel.
This is a geometric, line-based sans built from straight segments with sharp corners and a near-uniform stroke. Many counters are squared or left open, and several curves are simplified into angular joins, creating a distinctly constructed, modular look. Proportions lean expansive with tall, narrow strokes and wide internal space; diagonals are crisp and the rhythm is consistent but intentionally unconventional in places (notably in bowls and terminals).
Best suited for display settings where its constructed personality can be appreciated: sci-fi or tech branding, UI headings, posters, album/film titles, and motion graphics. It can also work for short informational labels, diagrams, and packaging where a clean, technical tone is desired. For long-form reading at small sizes, the very light strokes and unconventional bowl constructions may require larger sizes and comfortable tracking.
The overall tone is technical and schematic, with a cool, controlled feel. Its geometric construction and open forms suggest a futuristic, digital sensibility rather than a humanist or expressive one. The light stroke and generous spacing give it an airy, minimalist presence.
The design appears intended to translate a minimalist, grid-like construction into an alphabet with a strong geometric identity. By reducing curves to facets and emphasizing open, squared counters, it prioritizes a distinctive, system-driven aesthetic over conventional text smoothness. The consistent linear stroke and sharp terminals reinforce a schematic, engineered character.
The sample text shows generous whitespace and a strong baseline discipline, with square punctuation and simplified numerals that match the overall modular logic. Several lowercase forms echo uppercase structures, giving the font a unified, almost unicase flavor while still maintaining case distinction.