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Groovy Ohpo 15 is a very bold, normal width, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, album art, groovy, playful, retro, funky, bouncy, retro flavor, expressive display, attention grab, friendly tone, poster impact, soft terminals, swashy, rounded, blobby, curvy.


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A very heavy, right-slanted display face with rounded, bulbous stroke endings and frequent teardrop/ball-like terminals. Letterforms lean on smooth, continuous curves and swelling strokes, creating a “melted” rhythm with occasional inward curls and small notches that read like soft ink traps. Counters tend to be compact and irregularly shaped, and many glyphs use short entry/exit flicks that give the set a lively, hand-drawn script–adjacent feel while remaining essentially a connected, italicized display alphabet. Numerals and capitals follow the same swollen, curvilinear logic for a consistent, chunky silhouette.

Best suited for large-scale display applications where its chunky curves and curled terminals can be appreciated—posters, event flyers, album/playlist artwork, packaging callouts, and brand marks for playful or retro-themed products. It works well for short headlines and punchy phrases, and is less appropriate for long-form text or small UI sizes where counters and terminals may fill in visually.

The font communicates a cheerful, late-60s/70s-inspired optimism with a cozy, candy-like softness. Its slanted, swelling strokes and curled terminals feel animated and musical, projecting a laid-back, party-poster energy rather than formality or restraint.

The design appears intended to evoke a retro, feel-good display voice through exaggerated weight, italic motion, and soft, swelling terminals. It prioritizes character and rhythm over neutrality, aiming to produce distinctive word-shapes that feel handmade, funky, and immediately attention-grabbing.

Spacing and sidebearings appear tuned for display sizes: the heavy joins, tight counters, and decorative terminals create strong word-shapes but can visually clump at smaller sizes. Uppercase forms are especially plush and decorative, while lowercase maintains the same groovy motion with slightly simpler silhouettes, keeping paragraphs readable in short bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸