Sans Superellipse Keba 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Pork Chop' by Font Kitchen, 'RBNo3.1' by René Bieder, 'Avega SS' by Sensatype Studio, 'Hemi Head' by Typodermic, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: sports branding, racing graphics, posters, headlines, esports titles, sporty, futuristic, energetic, assertive, technical, impact, speed, modernity, tech styling, branding, extended, square-rounded, oblique, angular joins, compact apertures.
A heavy, obliqued sans with a distinctly square-rounded construction: bowls and counters are built from rounded-rectangle forms, while terminals are cleanly cut and often slightly angled to reinforce forward motion. Curves are tight and controlled, corners are broadly radiused, and joins stay crisp, producing a taut, engineered texture. Proportions lean extended with sturdy verticals and broad horizontals, and spacing appears compact, creating a dense, high-impact line in text. Numerals and capitals share the same streamlined, chamfered rhythm, with counters that remain open enough for bold display use.
Best suited to bold headlines, team or event identities, and high-energy promotional graphics where impact and speed cues matter. It also works well for tech-forward packaging, UI-style hero text, and short bursts of copy in posters or motion graphics, especially when set with generous tracking to let the forms breathe.
The overall tone is fast and performance-driven, evoking motorsport, athletic branding, and sci‑fi interface styling. Its slanted stance and squared curves communicate speed, confidence, and a modern, machine-made attitude.
The design appears intended to deliver maximum punch with a sleek, aerodynamic silhouette, combining squared geometry and rounded corners to feel both technical and approachable. The consistent oblique stance suggests a focus on conveying motion and competitiveness in display-centric applications.
The oblique angle is consistent across cases, and the superelliptical rounding keeps the design cohesive even where letterforms become more angular (notably diagonals and cut-in apertures). At small sizes the tight spacing and compact openings can feel intense, while at larger sizes the geometry reads clean and purposeful.