Sans Superellipse Peloh 8 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: display, logotypes, headlines, posters, ui labels, futuristic, techno, industrial, modular, geometric, tech branding, sci-fi display, system signage, modular identity, rounded corners, squared curves, extended terminals, compact apertures, stencil-like counters.
A geometric sans built from rounded-rectangle and superellipse forms, with thick, even strokes and consistently softened corners. Curves resolve into squared shoulders and flat edges, producing boxy bowls and counters (notably in O, D, 0, and 8) while keeping a smooth, machined finish. Many letters show deliberate cut-ins and short, horizontal interior bars (seen in E, F, e, and s), and the overall rhythm is compact with relatively tight apertures and sturdy joins. Numerals follow the same rounded-rect geometry, with a distinctive slashed zero and broadly squared curves across the set.
Best suited for display sizes where its geometric construction and interior cut details remain clear—such as headlines, branding, product marks, packaging, and tech-themed posters. It also fits short UI labels and interface elements when a futuristic, engineered voice is desired, while extended paragraph text may feel visually insistent due to the compact apertures and strong rhythm.
The tone is distinctly sci‑fi and equipment-like, evoking dashboards, gaming interfaces, and industrial labeling. Its blocky rounding feels modern and engineered, balancing friendliness from the softened corners with a controlled, technical rigidity.
The design appears intended to deliver a futuristic geometric sans with a distinctive superellipse backbone and a cohesive set of cut-in details that create a modular, industrial signature. The emphasis is on strong silhouettes, consistent rounding, and a system-like feel that reads as contemporary and tech-oriented.
Distinctive identity comes from the squared-off curvature and the repeated horizontal cut/bar motif that creates a semi-stencil feel in several glyphs. Round letters lean toward rounded squares rather than circles, and diagonals (like V, W, X, and Z) appear crisp against the otherwise rectilinear construction, reinforcing a modular, system-built character.