Slab Unbracketed Nemy 5 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bergk' by Designova, 'ApronNext' by Hurufatfont, 'Kommon Grotesk' by TypeK, and 'Calps' and 'Calps Sans' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, poster-ready, punchy, retro, energetic, impact, condensed display, speed cue, brand presence, condensed, slab-serif, unbracketed, oblique, blocky.
A condensed, right-leaning slab serif with heavy, compact letterforms and firmly attached, square-ended serifs. Strokes stay largely uniform, creating a solid, poster-like silhouette, while rounded counters and softened corners keep the shapes from feeling overly rigid. Terminals and serifs read as crisp blocks, and the overall rhythm is tight and upright in construction despite the oblique slant. Figures follow the same compact, weighty build, designed to hold together at large sizes with strong ink presence.
Best suited to headlines, posters, and branding where strong impact and tight horizontal economy are needed. It performs well in sports-related identity, event promotions, packaging callouts, and bold logo lockups, especially at display sizes where the slab details and compact proportions remain clear.
The tone is assertive and athletic, with a fast, forward-leaning energy that suggests speed and impact. Its dense black shapes and condensed stance give it a loud, attention-grabbing character with a vintage scoreboard or sports branding flavor.
This design appears intended to deliver maximum emphasis in a condensed footprint, combining heavy slabs and an oblique slant to create momentum and immediacy. The consistent, blocky construction prioritizes bold presence and quick recognition in short phrases and titles.
Capitals are especially compact with broad, flattened top and bottom shapes that enhance a stencil-like, industrial confidence. The lowercase maintains a sturdy, utilitarian feel, and the italic angle is consistent across letters and numerals, helping lines of text feel driven and directional.