Cursive Dimad 3 is a light, narrow, medium contrast, italic, short x-height font.
Keywords: invitations, greeting cards, branding, logotypes, packaging, elegant, personal, airy, lively, romantic, handwritten warmth, signature style, decorative headings, graceful motion, personal tone, slanted, calligraphic, flowing, looped, monoline-ish.
A slanted cursive script with a smooth, pen-driven rhythm and gently tapering stroke endings. Letterforms are compact and slightly condensed, with generous internal curves and frequent entry/exit strokes that encourage connective flow in text. Capitals are more gestural and varied, featuring long lead-in swashes and soft loops, while lowercase maintains a consistent forward motion with narrow bowls and curved joins. Numerals follow the same handwritten logic, using simple, open shapes and subtle terminal flicks for continuity with the alphabet.
Well suited to display settings where a handwritten signature feel is desired—such as invitations, greeting cards, boutique branding, product labels, and packaging accents. It performs best at moderate to larger sizes where the cursive connections and loops remain clear, and as a contrast companion to clean sans or understated serif text.
The overall tone feels refined yet informal—like neat handwritten correspondence with a touch of flourish. Its light, quick strokes and looping forms read as friendly and expressive rather than rigid, lending a graceful, personable character to short phrases and names.
The design appears intended to emulate a tidy, stylish hand with calligraphic influence—balancing readability with decorative movement. It aims to provide a graceful cursive voice for headings and short copy while keeping forms consistent enough to set cohesive lines of text.
Ascenders are prominent and often slightly curved, creating a tall, rising texture across words, while descenders add occasional dramatic drops (notably in letters like g, j, and y). Cross strokes and terminals are generally soft and rounded, avoiding sharp corners; the texture stays consistent across A–Z and a–z with only mild variation in stroke pressure typical of handwriting.