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Sans Contrasted Diti 4 is a regular weight, narrow, high contrast, upright, normal x-height font.

Keywords: headlines, editorial, magazines, fashion, posters, refined, modernist, dramatic, refinement, editorial clarity, modern elegance, display impact, brand tone, crisp, sleek, airy, calligraphic, bracketed.


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A crisp, high-contrast text face with clean, mostly sans-like construction and subtle finishing that reads as lightly bracketed rather than overtly serifed. Strokes alternate between very thin hairlines and fuller verticals, creating a sharp, fashion-forward rhythm. Terminals are frequently flat and squared, with occasional tapered joins that feel drawn rather than purely geometric. The uppercase forms are compact and streamlined, while the lowercase keeps a tidy, readable structure with a single-storey a and a distinctive g with an open bowl and modest ear. Numerals follow the same contrast logic, with a notably angular 4 and compact, editorial-style figures.

This font is well-suited to headlines, decks, pull quotes, and magazine-style layouts where high contrast and a clean silhouette can shine. It also works for fashion branding, lookbooks, and posters that need a refined, contemporary voice. For longer passages, it will perform best at comfortable sizes and with sufficient line spacing to preserve the delicate hairlines.

The overall tone is polished and confident, balancing restraint with a bit of drama from the hairline strokes. It suggests contemporary luxury and magazine typography—cool, precise, and slightly theatrical—without feeling ornamental. The contrast adds sophistication and a sense of hierarchy, making words feel curated and intentional.

The design appears intended to bring high-contrast elegance into a contemporary, streamlined framework, offering a sharp editorial presence with minimal decorative baggage. Its goal seems to be delivering luxury-associated sophistication while maintaining clarity and a modern typographic cadence.

The design’s thin horizontals and hairlines create an airy texture in running text, while heavier verticals keep the line from feeling fragile. Several glyphs feature angled or tapered joins (notably in diagonals), which adds a faint calligraphic flavor and keeps the texture lively. Punctuation and spacing in the sample appear geared toward display and editorial settings where refinement is prioritized over ruggedness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸