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Sans Superellipse Garar 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Equines' by Attractype, 'Hyper Super' by Bisou, 'CF Blast Gothic' by Fonts.GR, 'Etrusco Now' by Italiantype, and 'Address Sans Pro' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, advertising, sporty, assertive, energetic, modern, dynamic, impact, momentum, compactness, modernity, branding, oblique, compact, rounded, blocky, high-impact.


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A heavy, oblique sans with compact proportions and softened corners that keep the forms dense and cohesive. Strokes are thick and even, with minimal modulation, producing a strong, graphic silhouette. Curves (C, G, O, S, 0) read as rounded, squared-off bowls rather than true circles, while diagonals and joins are clean and sturdy, reinforcing a purposeful forward slant. Counters are relatively tight and apertures are controlled, giving the face a punchy, space-efficient texture in both caps and lowercase.

Best suited to headlines, display copy, posters, and promotional typography where a strong, slanted voice is desirable. It can work well for sports branding, energetic campaigns, packaging callouts, and short emphatic statements, especially when set large and with a bit of added spacing.

The overall tone is fast, forceful, and contemporary, with a distinct “leaning forward” momentum that suggests speed and urgency. Its weight and compressed internal space communicate confidence and impact, leaning toward athletic and promotional styling rather than quiet editorial neutrality.

The design appears intended to deliver a high-impact, speed-oriented display sans: bold, compact forms with rounded-rectangular geometry and an italic angle to project motion. The consistent stroke weight and controlled apertures prioritize strong silhouettes and immediate presence over delicate detail.

The numeral set matches the letterforms with similarly dense construction and rounded-rectangular curves, helping text and figures feel visually consistent in headlines. In longer lines, the boldness and tight counters create a dark, continuous color that benefits from generous tracking or larger sizes for maximum clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸