Sans Normal Ohmif 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Madani' and 'Madani Arabic' by NamelaType, 'Causten' and 'Causten Round' by Trustha, 'TT Norms Pro' by TypeType, 'Segment' by Typekiln, and 'Coco Gothic Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, modern, friendly, confident, clean, approachable, clarity, modernity, approachability, brand presence, simplicity, geometric, rounded, compact, high-contrast counters, large x-height.
A sturdy geometric sans with near-uniform stroke thickness and smoothly rounded curves throughout. Uppercase forms are broad and simplified, with clean joins and minimal modulation; bowls are close to circular, and terminals read as crisp, straight cut rather than flared. The lowercase shows a generous x-height with compact ascenders and descenders, producing dense, efficient word shapes. Counters stay open and regular (notably in o/e/a), spacing appears even, and numerals are straightforward and legible with consistent weight and proportions.
Well suited to short-to-medium length display settings where impact and clarity matter, such as headlines, brand marks, packaging panels, and poster typography. The large x-height and open counters also support UI labels and signage where quick recognition is important, especially at medium sizes.
The overall tone is modern and friendly, pairing a confident heaviness with soft, rounded geometry. It feels straightforward and accessible rather than technical or ornate, with a contemporary, brand-ready neutrality that can skew playful at larger sizes.
The font appears designed to deliver a clear, contemporary voice built from simple geometric primitives, prioritizing bold presence, consistency, and high legibility. Its rounded construction suggests an intention to feel approachable while remaining clean and utilitarian for modern graphic design.
The design leans on circular construction, giving C/G/O/Q and related forms a cohesive rhythm. Diagonals (V/W/X/Y) are sturdy and balanced, and the lowercase maintains a stable baseline with minimal calligraphic influence, reinforcing a clean, constructed feel.