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Free for Commercial Use

Sans Superellipse Abbun 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Moniak Sans' by Design Komando, 'Siro' by Dharma Type, 'Innova' by Durotype, 'Futo Sans' by HB Font, 'Core Gothic N' by S-Core, 'Bahn' and 'Sans Beam' by Stawix, 'Etelka' by Storm Type Foundry, and 'Robusta' by Tilde (names referenced only for comparison).

Keywords: ui text, product design, dashboards, wayfinding, editorial, modern, neutral, clean, friendly, technical, clarity, systematic, versatility, approachability, rounded, geometric, smooth, open, even.


Free for commercial use
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A clean sans with softly squared, superellipse-derived curves and consistent stroke thickness. Round letters like O and Q read as rounded rectangles, while straight-sided forms maintain crisp, orthogonal structure with gently eased corners. Counters are open and uncomplicated, terminals are plain, and joins stay smooth without noticeable flare or calligraphic modulation. Proportions feel balanced and highly legible, with tidy spacing and a steady, contemporary rhythm across uppercase, lowercase, and numerals.

Well-suited for interface typography, product labeling, and data-heavy layouts where clarity and consistent rhythm matter. The rounded-square forms also fit contemporary brand systems, app UI, signage, and editorial subheads where a crisp sans is needed without a harsh, purely mechanical edge.

The overall tone is modern and unobtrusive, combining a precise, engineered feel with mild softness from the rounded geometry. It reads as calm and dependable rather than expressive, making it easy to pair with other elements without competing for attention.

Likely intended as a versatile everyday sans that feels contemporary and systematic, using superellipse geometry to soften the texture while preserving a precise, grid-friendly structure for on-screen and functional applications.

The design leans on geometric construction: circular forms are more squarish than perfectly round, and diagonals (A, V, W, X, Y) appear sharp and decisive against the softened curves elsewhere. Numerals follow the same smooth, squared-round logic, staying clear and utilitarian in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸