Slab Square Ugmud 2 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: books, editorial, literary, academic, invitations, classic, scholarly, refined, bookish, text emphasis, print tradition, readability, formal tone, bracketed serifs, oblique stress, tight rhythm, calligraphic, transitional.
A slanted serif design with sturdy, squared slab-like serifs and gently bracketed joins, giving the strokes a grounded, ink-on-paper presence. Curves are smooth and fairly open, while stems stay firm and consistent, producing a calm, even texture across words. The italics show clear calligraphic influence: entry and exit strokes taper subtly, counters remain legible, and the overall rhythm feels steady rather than flashy. Numerals follow the same disciplined construction, with clear forms and a traditional, text-friendly proportioning.
Well-suited to book typography, magazines, and other editorial layouts where an italic is used frequently for emphasis, titles, and citations. It can also work effectively for formal stationery or refined branding that wants a traditional, print-rooted tone without extreme contrast or delicate hairlines.
The font reads as classic and editorial, with a bookish seriousness that suggests literature, academia, and established print conventions. Its italic voice feels purposeful and formal—more “authoritative emphasis” than casual handwriting—while still retaining warmth from its calligraphic slant and softened brackets.
The design appears intended to provide a dependable, readable italic serif with a traditional foundation and slab-like authority, pairing strong terminals with a calm, continuous text rhythm. It aims to deliver emphasis and elegance in prose while keeping letterforms robust and consistent across sizes.
The uppercase set balances broad, rounded shapes (C, O, Q) with crisp, slab-ended horizontals, while the lowercase maintains consistent spacing and a compact, readable cadence in running text. The italic angle is noticeable but restrained, supporting long-form composition without feeling overly decorative.