Print Isgoj 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Vilanders' by Edignwn Type, 'Knicknack' by Great Scott, 'Otter' by Hemphill Type, and 'Morl' by Typesketchbook (names referenced only for comparison).
Keywords: children’s, packaging, posters, headlines, stickers, playful, friendly, bubbly, chunky, casual, approachability, playfulness, handmade feel, headline impact, youthful tone, rounded, soft, cartoony, bouncy, irregular.
A heavy, rounded hand-drawn print with soft corners and slightly uneven contours that keep the texture organic. Strokes are consistently thick with minimal contrast, and terminals tend to end in blunt, cushioned shapes. Proportions are compact and slightly squat, with generous curves and roomy counters where applicable; widths vary noticeably from glyph to glyph, reinforcing an informal rhythm. The lowercase is simple and approachable, with single-storey forms and a prominent dotted i/j, while numerals are bold and simplified for clear silhouette recognition.
Best suited to short, high-impact text such as headlines, posters, packaging, labels, and playful branding. It also works well for children’s materials, event collateral, and social graphics where a friendly, hand-made feel is desired. For longer passages, it’s likely most effective in larger sizes with ample line spacing.
The overall tone is upbeat and approachable, with a cartoon-like warmth that reads as friendly rather than formal. Its bouncy rhythm and rounded massing give it a kid-friendly, snackable personality that feels at home in lighthearted, human-centered messaging.
The design appears intended to deliver a bold, inviting hand-drawn look that remains legible through simple construction and strong silhouettes. It prioritizes warmth and personality over precision, aiming for an easygoing, approachable voice.
The font’s visual strength comes from silhouette and consistent weight rather than fine detail, making it most distinctive at larger sizes. Spacing in the sample text appears comfortably open for such a heavy style, helping long lines stay readable despite the chunky forms.