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Free for Commercial Use

Cursive Odfo 3 is a very light, very narrow, low contrast, upright, very short x-height font.

Keywords: invitations, greeting cards, quotes, packaging, social media, airy, delicate, casual, whimsical, friendly, handwritten charm, signature style, light elegance, display use, monoline, looping, tall ascenders, spindly, open counters.


Free for commercial use
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A fine, monoline handwritten script with a tall, elongated proportion and generous vertical reach. Strokes stay consistently thin with smooth, rounded turns and frequent loop construction in both capitals and lowercase, giving the letterforms a continuous pen-drawn rhythm. Capitals are especially tall and narrow with simple, linear crossbars and occasional extended entry/exit strokes; lowercase forms are compact with small bowls and long ascenders/descenders, keeping counters open and shapes lightly structured. Numerals follow the same slim, drawn-in-one-motion feel, leaning on curves and simple terminals rather than sharp corners.

This style suits short, high-contrast applications such as invitations, greeting cards, quote graphics, and light lifestyle branding where a handwritten signature feel is desired. It works well for headings, names, and pull-quotes, and can complement packaging labels or boutique product tags when set with ample size and breathing room.

The overall tone is light and personable, like quick, careful note-taking with an elegant touch. Its looping gestures and tall silhouettes add a hint of whimsy while remaining readable, projecting an understated, handcrafted charm rather than bold expressiveness.

The design appears intended to capture a clean, airy handwriting look with tall, looping forms and a gentle, continuous flow. It prioritizes a delicate, personal voice and elegant vertical rhythm over dense text efficiency, aiming to read as authentic pen script in display contexts.

Spacing and joins feel naturalistic and slightly irregular in a way that supports the hand-rendered character. The font’s thin strokes and tall forms create a lot of white space, which helps it feel refined but can make it more sensitive to background contrast at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸